Please pick 1 post size.

lightning-and-roses:

toonskribblez:

The fact that this year Easter is on 4/20 just makes this pic even better!

blaze it and praise it!

crescentrax:

"Should I have a baby after 35?" - "No, 35 children is enough." I LAUGHED SO HARD.

Well, they’re not wrong

zombieboobabe:

Ryan and his “lost” footage. At least Lindsay is always there to save the day.

bacoose:

I’m shaking with excitement for RvB S12

supersharpshooter1995:

my brother just came into my room so excited to show me these photos of a pigeon he met

catbountry:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

Whoa.

the-meta:

Because of reasons.
(Go follow her)